In an effort to keep beating a dead horse…
“Modern-day pirates are not like Errol Flynn or Johnny Depp swinging through the rigging, but well-armed militiamen equipped with rocket propelled grenades, assault rifles, global positioning systems and high-speed motorboats…” (The New York Times, April 20, 2008)
The Times is not talking about college students loading their iPods or high school students posting clips on YouTube. It’s talking about guys with guns storming boats, stealing things and killing people.
They are not the same thing.
Some copyright violations can be dangerous, and some can fund even more dangerous activity (like pirates). These violations tend to involve the reverse engineering of drugs and copying machined products like brake pads and selling the sometimes flawed counterfeits. Such efforts tend to be international and well organized. Conflating the theft of ideas and creating sometimes faulty products or the distribution of stolen ideas to fund illegal enterprises with bands of machine gun wielding thieves with RPGs diminishes the impacts of both.
Other copyright violations are well organized efforts to illegally reproduce and sell movies, music and television shows. These are most often also international, and rely on computers to pump out copies of stolen goods. Lots of money is lost, but no one dies.
These two areas of copyright violation need to be addressed. The PRO-IP Act working its way through Congress is a step in the right direction, as are the efforts of groups ranging from the Motion Picture Association of America to the Copyright Alliance and the US Chamber of Commerce.
A final common form of copyright violation seems more benign, feeling a little like sticking gum under a table – you probably shouldn’t do it, but whatever it’s only gum. This is the endless posting of TV and music clips on web sites like YouTube and Google Video, downloading and sharing songs, or creating video clips using music or scenes to which the user does not have rights. This is also bad, certainly worse than gum under a table, but it’s also not taking hostages and shooting people.
Those of us who are concerned about copyright protection (I am on the board of the Copyright Alliance and represent Vin Di Bona Productions) need to stop conflating these areas. We need new metaphors, new ways of talking about what we want to stop. Failing to do so diminishes the real threats posed by old-fashioned pirates and makes it more difficult achieve the policy goals we’re after: making sure that those who create something get rewarded for their work or ideas.






